For his first Haute Couture collection at @jeanpaulgaultier, @duranlantikyo chose transformation over nostalgia. Rather than recreating the house’s most iconic codes, he treated couture as a living organism, reshaping silhouettes, distorting proportions and challenging the relationship between garment and body. Historical references surfaced only to be manipulated: exaggerated volumes, sculptural tailoring and hybrid constructions turned familiar forms into something unexpectedly contemporary. The body became fluid, constantly redefined by the clothes it wore. While the theatrical irreverence of Jean Paul Gaultier lingered in the background, Lantink approached the maison with a quieter, more introspective energy. His debut suggests that the future of Gaultier may not lie in repeating its past, but in continuously transforming it.

Childhood is rarely as innocent as memory insists. For his Fall/Winter 2026 Haute Couture collection, @robertwun explores that unsettling space where nostalgia fractures into something uncanny, turning familiar symbols into emotionally charged objects. The runway unfolds like a psychological theatre, where every garment carries the weight of a forgotten memory rather than a simple fantasy. Wun’s couture remains rooted in extraordinary craftsmanship, balancing sculptural silhouettes, razor-sharp tailoring and meticulous embellishment with a cinematic sense of storytelling. Instead of using fashion as pure spectacle, he builds an emotional landscape, proving that Haute Couture is at its most compelling when it reveals the complexities hidden beneath beauty.

Pierpaolo Piccioli’s Haute Couture debut for @balenciaga is built on an idea of craftsmanship as culture rather than performance. Instead of chasing dramatic reinvention, he turns his attention to the atelier, celebrating the hands, techniques and processes that give couture its meaning. Every silhouette reflects an obsession with precision, where sculptural volumes, meticulous embroidery and impeccable tailoring reveal a quiet confidence instead of theatrical excess. Rather than revisiting Cristóbal Balenciaga through direct references, Piccioli embraces the founder’s pursuit of purity in form and construction. The collection feels deeply respectful of the house’s legacy while remaining unmistakably contemporary, suggesting that the future of couture may lie not in rewriting its history, but in understanding it deeply enough to let it evolve.

Rather than treating its heritage as an archive to revisit, @chanelofficial approaches it as a living narrative. The collection reframes the house’s history through the language of storytelling, where fantasy becomes less an aesthetic reference than a method of construction. The result is a couture collection that looks forward without abandoning the myths that shaped it. The silhouettes unfold with remarkable restraint. Tweed is stripped of its traditional density, becoming unexpectedly light and translucent, while botanical embroideries spread across the garments like organic growth rather than decorative embellishment. Transparency softens structure, allowing craftsmanship to reveal itself without ever demanding attention. What emerges is a vision of Haute Couture that feels intimate instead of monumental. The technical complexity remains extraordinary, yet nothing appears weighed down by it. Every garment suggests movement, ease and permanence, proving that refinement does not need spectacle to communicate its value. Instead of reinventing Chanel’s visual codes, the collection allows them to evolve naturally. Familiar signatures are neither frozen in nostalgia nor forced into novelty. They are simply reinterpreted with enough subtlety to feel contemporary, offering an understanding of heritage that privileges continuity over disruption. At a moment when fashion increasingly relies on elaborate concepts to justify its collections, Chanel takes the opposite approach. The narrative is not imposed upon the clothes. It emerges from them. Every silhouette feels like another page in a story that refuses to end.

For his Fall/Winter 2026 Haute Couture collection at @dior, @jonathan.anderson approaches couture as a dialogue between artistic experimentation and the discipline of exceptional craftsmanship. Inspired by the sculptural practice of American artist Lynda Benglis, the collection explores materiality, gesture, and the transformative potential of the hand. Rather than translating Benglis’ work literally, Anderson allows her process to inform the collection’s approach to construction. The result is a series of garments where fabric itself becomes the focus. Needle-punched wool gradually dissolves into sheer organza, pleated coats reference Dior’s historic silhouettes with remarkable precision, while elongated bar jackets and sculptural outerwear celebrate the technical mastery of the maison’s ateliers. Throughout the collection, craftsmanship emerges as the true protagonist. Every transition of texture and every meticulously constructed silhouette reflects the countless hours of artisanal expertise behind haute couture. More than an artistic collaboration, the collection becomes a meditation on the value of making. #dior #pfw #hautecouture

With her Fall/Winter 2026 Haute Couture collection, @irisvanherpen once again transforms the runway into a space where fashion escapes convention. Sculptural gowns seem to detach from the body, suspended between fluidity and architecture, as intricate layers, translucent textures, and engineered volumes create the illusion of garments in constant motion. Every silhouette is the result of an extraordinary dialogue between couture craftsmanship and material innovation. Delicate biomaterials, kinetic constructions, and impossibly lightweight fabrics redefine the language of dressmaking, replacing embellishment with structure itself. A restrained palette of luminous whites, silvers, and smoky greys further amplifies the collection’s ethereal quality, allowing every fold, contour, and engineered detail to emerge with striking clarity. Rather than presenting couture as a celebration of tradition, Van Herpen continues to position it as a field of research, where the garment becomes an evolving organism and craftsmanship remains the driving force behind fashion’s most radical ideas. #irisvanherpen #pfw #hautecouture

With ‘THE ABYSS’, Daniel Roseberry strips Haute Couture back to its structural essence. Architectural bustiers, sculpted necklines, jackets transformed into sculptural forms, and elongated fluid trousers define a wardrobe where construction takes precedence over embellishment. Each look exists in the tension between disciplined craftsmanship and expressive form, revealing a couture language rooted in silhouette rather than spectacle. Material experimentation reinforces this direction. Latex is elevated into the vocabulary of Haute Couture, molded into corsets and tailored outerwear that seamlessly merge innovation with traditional savoir-faire. Alongside this restraint, Schiaparelli’s surrealist heritage quietly resurfaces through sculptural bodices, layered garments, crystal embroidery, and organic, body-like details. Rather than overwhelming the collection, these elements act as subtle echoes of the maison’s identity, creating a dialogue between formal purity and theatrical expression, where the garment itself becomes the central narrative.

Now up on WRPD Magazine “DESIRE, INTERRUPTED”! The Winter Never Comes: My LA Baptism Editor @nainatri Photography @erin_pederson Stylist @rhy.ro Make up & Hair @arosehairandmakeup Model @nainatri Layout by @zitalberti
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Now up on WRPD Magazine “GENTLE REGIMENT”! Creative Direction & Photography @moiclara_ Styling anafaria
Model @caroldlugokenski Make Up @rafasiqueiratt
Hair @_lauretix
Fashion Production @wictordepaula
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Now up on WRPD Magazine “FADING”! Photography @yplakhotnikova Styling @minha.querida
Model @viktoria.volt @wildatheart.agency Make Up & Hair @mikell_ch
Production @wootproduction
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Now up on WRPD Magazine “ENDLESS TROUBLE”! Photography @iafros Styling @zozasrescue
Model @luka.lisa
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Now up on WRPD Magazine “CIRCADIAN RHYTHMS”! Photography @amayeah Styling @ana.naveiro
Model Lucas L @theroadmodels
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Now up on WRPD Magazine “YOUR GLACIAL ABSENCE”! Photography @nickpiesk_
Video @bagaak Styling @veronika.dorosheva
Model @_rania.bzr_ @modelwerk Make Up @janetteptrsmua using Ilmakiage
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Now up on WRPD Magazine “SILLY LITTLE LIES”! Photography @juliaamorris Styling @zusbstylist
Model @georgiadaypodmore @fordmodels Make Up @ayaiwakami
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Now up on WRPD Magazine “SITE VISIT”! Photography @sascha_heintze Styling @marie_gibert Art Direction @margueritekarmo
Model @bluenn_mistral Make Up @choai Schupfer Management Hair @erikakmr_hair Casting @annabellelisabethrose
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Now up on WRPD Magazine “EACH TIME YOU FALL IN LOVE”! Photography @thanospoulimenos Styling @mei_bell Make Up @maritapolitou @beehive_artists Hair @christosvourlis @beehive_artists Model @ronda_bea @ace_models_athens 
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It is a recipe as complex as it is irresistible, @alessandro_michele ’s, one capable of dissolving guilt even as it is devoured. There is something extraordinarily thrilling in observing how necessities and gestures, apparently distant from one another, converge — propelled by hedonism — within the experience of life. This is precisely the sensation that surfaces while observing Interferenze, presented within the spaces of Palazzo Barberini in Rome, an architectural complex in the heart of the city, a marvellous convergence of tensions, not merely structural, where the collection is free to generate a series of frictions between what configures beauty and what ultimately seeks to restore its meaning.

Shared memory becomes material at the latest @acnestudios FW26 runway show. Marking its thirtieth year, Acne Studios reflects on its own visual language, not as nostalgia but as a living archive. Past references reappear altered, reframed and layered, suggesting that identity in fashion is never static but constantly rewritten through time. Classic tailoring meets youthful irreverence. Plaid suits are reworked with asymmetric construction, structured coats soften into unexpected volumes, and preppy silhouettes acquire a subtle countercultural edge. The result is a wardrobe that feels both familiar and strangely new, as if drawn from collective memory yet reinterpreted for the present. Accessories carry the same spirit of contrast. Oversized stone earrings, sharp sunglasses and sculptural handbags punctuate the looks with playful intensity, introducing color and personality against the disciplined lines of tailoring. There is a deliberate tension between aristocratic restraint and youthful spontaneity. Acne Studios dissolves the boundary between establishment codes and subcultural gestures, crafting a collection where refinement and experimentation coexist naturally. With FW26, Acne Studios turns its anniversary into a reflection on evolution itself. A study in shared memory, where the past does not define the present but expands its possibilities.

Fordian elegance returns with composed restraint at the latest @tomford FW26 runway show. In a stark white cube washed by zenithal light, the collection strips glamour to its architectural core. Precision replaces excess, attitude replaces spectacle. The result is a study in control where every gesture feels intentional and every silhouette speaks in a low, confident tone. Tailoring dominates with razor clarity. Cropped jackets, elongated trousers and lean waistlines sculpt the body without force, while silk shirts, narrow ties and exposed torsos introduce a calibrated sensuality. Black and ivory set the rhythm, interrupted by subtle pinstripes, metallic sheens and the occasional whisper of powder blue. There is a dialogue between discipline and provocation. Bare skin appears not as exhibition but as design, framed by immaculate cuts and immaculate posture. Masculine codes are neither softened nor exaggerated, only refined to their most essential expression. Accessories follow the same philosophy of reduction. Slim leather belts, structured clutches and polished gloves punctuate the looks with quiet authority, reinforcing an aesthetic built on precision rather than ornament. With FW26, Tom Ford reclaims its founding language: seductive minimalism, sharp tailoring and urban sophistication distilled to their purest form. An exercise in elegance where power resides in subtraction.

Structure loosens into movement at the latest @ysl FW26 runway show. Anthony Vaccarello revisits the house’s founding codes through a lens of sensual restraint, where precision does not confine the body but allows it to flow with deliberate ease. The collection moves between control and release, tailoring and tactility, severity and seduction. Sharp-shouldered suits glide with elongated silhouettes, their rigor softened by fluid fabrics and a languid attitude. Glossy trench coats, liquid satin dresses and sheer lace layers dissolve the boundary between masculine structure and intimate dressing. The palette remains deeply nocturnal, grounded in tobacco, espresso and burnt amber tones that echo the warmth of dim city lights. Accessories amplify the narrative of tension and allure. Sculptural gold cuffs, oversized gemstone necklaces and razor-sharp heels evoke a sense of cinematic power, recalling the intellectual eroticism that defined Yves Saint Laurent’s most radical years. There is a literary undercurrent throughout, where clothing becomes character. Strength is never rigid, sensuality never obvious. Instead, each look suggests a quiet authority shaped by gesture, posture and presence. With FW26, Saint Laurent reaffirms its singular language at Paris Fashion Week: disciplined yet instinctive, austere yet deeply sensual. A study in how structure, when loosened, becomes movement.